Filmlume: Negative Scanner

Your film negatives, turned into photos with the colour of a classic lab scan. Photograph a roll on a light with any camera — a mirrorless on a copy stand, or your iPhone over an iPad showing white — bring the pictures in from Photos or Files, and every frame becomes a finished positive at full resolution. CLASSIC LAB COLOUR • On by default: every frame balanced on its own, with dense blacks, warm skin and greens that lean teal — the look of the minilab scanners of the film years. Slides are printed with the same lab look. Switch to Neutral for a flat scan to grade elsewhere. READ LIKE A LAB SCANNER • Conversion in density: the orange mask of colour negative divided out using the film's own base, each dye layer balanced between the frame's darkest and brightest detail. • Colour negative, black-and-white and slide. • RAW of any make, DNG, ProRAW, 16-bit TIFF, HEIC, JPEG and PNG, read at their full size and bit depth. 37 FILM LOOKS • Starting points in the spirit of popular colour, black-and-white and slide stocks — Portrait 400, Golden 200, Cine 800T, Press 400, Pan 50, Vivid 50, Chrome 100 and many more. Each is our own model of that kind of print, and always editable. A PRINTER'S CONTROLS, AT ONCE • The picture and its figures follow your finger live: exposure, contrast, highlights, shadows, warmth, tint, saturation and grain, with wide ranges and fine control around zero; a double tap on any slider puts it back to zero. • C-41 colour balance: cyan–red, magenta–green and yellow–blue, like an enlarger's colour head. • Pinch or double-tap the picture to zoom in and check focus, grain and dust. • Done with a frame? Swipe the picture or tap Next frame to move straight on through the roll. • Take the film base from the rebate, or tap something grey to balance exactly. • Crop to 35 mm 3:2, 6×6, 6×7, 4:3, 16:9 or freely; rotate in quarter turns, mirror, straighten and square the perspective. Nothing is destroyed. KEEP IT • Full resolution, always: 10-bit HEIF in Display P3 to Photos, a JPEG to share, or a 16-bit TIFF to keep editing. • Rolls kept together with the film they were shot on; star the keepers and save them in one go. • Your photos, on film: print any picture from your library in one of the film looks. • Light table: a second device shows an even white light for the negative. SIRI AND SHORTCUTS • “New roll in Filmlume” starts a roll of the film and format you name; “Import negatives into Filmlume” opens Photos over your latest roll. DESIGNED FOR iPHONE AND iPAD • Layouts for every current iPhone and iPad screen, in portrait and landscape. Requires iOS 17 or later. PRIVACY • No account and nothing uploaded: scans stay on your device until you save or share them. ONE-TIME PURCHASE • Filmlume is unlocked by a single in-app purchase: no subscription, nothing renews and there is nothing to cancel. • Before buying you can start a three-day free trial — an in-app item that costs nothing — which unlocks everything; when it ends, the app waits to be unlocked. • Payment is charged to your Apple Account when you confirm the purchase. • Restore it at no cost on every iPhone and iPad signed in to the same Apple Account. • Refunds are handled by Apple at reportaproblem.apple.com. DISCLAIMER Scan only film you own or have the right to copy, for your own use. Colour and density are the app's interpretation of the film — its lab rendering and film looks are our own models, not the makers' data, and no film maker is connected with this app — and results depend on the light, the device and the film. Keep your originals. The app is provided as is, without warranty, to the extent permitted by law. Terms of Use: https://alpenlume.github.io/legal/filmlume/terms.html Privacy Policy: https://alpenlume.github.io/legal/filmlume/privacy.html Support: alpenlume@gmail.com